Latest Articles
Narrativising the Sydney Stabbings
In-Death-Ation of HECS
Pitching For Change: The Student Protests and Encampments for Gaza
Escaping the Lion's Den: The Conclusion of the Higgins V Lehrmann Trial
After CrowdStrike Can We Please All Touch Grass?
Macquarie Students for Palestine’s Second 2024 Protest
Olivia Rodrigo Bids Farewell To Teendom in GUTS: Album Review
The Zaylist: Must-Listen Albums/EPs by Women
![[NIC’S FLIX] Possession: The Surprising Emotional Relatability of Isabelle Adjani’s Performance](https://static.wixstatic.com/media/60bdeb_a780666033e5451e8fe08eb835fb5d0e~mv2.webp/v1/fill/w_1192,h_672,al_c,q_90,enc_auto/60bdeb_a780666033e5451e8fe08eb835fb5d0e~mv2.webp)
[NIC’S FLIX] Possession: The Surprising Emotional Relatability of Isabelle Adjani’s Performance
Pop Culture Rewind: Dance Moms (2011-2019)
It Costs That Much for Knowledge? What You’ll Have to Pay in Library Late Fees at Macquarie University.
I’m on my period.
The Last Dinner Party: A Band/Album Review
Female Fauna Felonies
From Aprons to Empowerment: Navigating the Gendered Gastronomic Landscape
Blind Leading the Blind
Killing Achilles
My Neighbour, Baba Yaga
Peace of Mind
George & Jill
Her name was Alexa, and
Where are you, feminists?
Grapeshot acknowledges the Wallumattagal clan, of the Dharug nation as the traditional custodians of the land on which we work and meet. We acknowledge that sovereignty was never ceded, no treaty was signed, and would like to pay our respects to Elders, past, present and emerging.
We would like to extend those respects to all First Nations people reading. Always was, always will be, Aboriginal land.